Two-Reel Pack, Gent Flower Show 1955
| In the mid 1990s,
I was working for a photographic company here in the UK.
One day on the phone I just happened to mention to the
agent who dealt with our advertising that I had just
bought a pile of View-Master reels and he said that he
didn't think anyone still remembered View-Master. After I
told him of the interest there still is around the
system, he amazed me by saying that in the mid 70s he was
marketing co-ordinator in the Commercial Dept of GAF,
based near London Airport to the west of London. Whilst there he had specific responsibility for dealing with companies who wanted to produce their own View-Master advertising reels. As this was someone I knew very well, I had spoken to him practically every day for about 8 years, I really gave him the third degree! He went on to tell me that at the time there was a shortage of View-Master cameras in the UK but GAF had 3 or 4 models that could be hired out (he was not sure if these were US or Euro versions). He seemed to think that there wasn't a time limit on the "hire", but as they charged a whopping £500 deposit (around $800) and this was when £500 was a lot of money so the cameras came back fairly quickly! Interestingly, even with the high purchase tax around that time, they could have bought their own camera from a photo dealer for about half the hire charge! |
|
As you would expect, the customer was told to only use Kodachrome film and to take several variations of each shot. When returned, the exposed films were sent off to the Belgium plant to be processed and mounted. The reels were returned in plain white mounts, but numbered for reference. They were then edited by the customer down to the required number of shots. The customer could then specify any printing or wording required on the finished reels. There was a minimum order quantity of 3,000 off each reel, but unfortunately my friend can not remember how much the customer was charged. Obviously I wanted to know if he had any of the reels left over and after much prodding on my part, he eventually managed to find a small pile of reels he had taken home for his kids, now grown up. Amongst the reels he found were several produced for the Ford Motor Company for an UK marketing promotion. Apparently late in 1975 Ford were about to launch the new Ford Escort (called Taunus everywhere else - and the name shown on these reels). They realised the Escort would be a new concept for a small, family car and were keen to do a special advertising promotion to whip up maximum interest. |
|
![]() |
The Ford factory in Braintree, Essex hit on the idea of using View-Master reels as a "teaser" campaign and set about photographing the new model. For the first reel they just showed as series of close-ups of various parts of the car such as the doors, outside trim and dashboard. |
| The first reel,
along with a standard viewer, but no accompanying
paperwork or explanation, was then posted to every Ford
dealer in the UK. A week later the second reel, with
close-ups of the bonnet, grill and interiors, plus a
pretty female model posing by an open car door, was sent
out. By now dealers were really puzzled at what they were seeing but, despite many of them calling Ford to find out more, they could not get any further details. Finally, the following week, the third reel arrived. This reel, showing the whole car was accompanied by full details and specifications of the new models. The car was well and truly launched! |
|
|
||||||
![]() |
In 1977 Ford once again used
View-Master reels to promote their new Granada model in
the UK. This promotion must have been produced in the UK
for the whole of Europe as the reels show both left and
right-hand drive versions of the car, plus the estate car
(shooting brake) version, which is a very unusual model
in the UK. The above examples seem to be all that have survived from this promotion. However, in 2002 General Motors in the USA used View-Master for a similar promotion. Those viewers and reels are still quite easy to find - maybe they will be a future collectable? |
New Model Launch Reels
|
||||
| Number | Date | Ford Granada | Reel Markings | |
| 1 | 1977 | RHD model, close-ups, excellent dashboard shot | Stamped
"Confidential" 1977 & Ford logo |
|
| 2 | 1977 | LHD
& RHD models, car in Spanish looking setting plus
close-ups inc nice dashboard shot of LHD automatic |
Stamped "Confidential" 1977 & Ford logo | |
| 3 | 1977 | LHD & RHD models, car in Scottish (?) country setting, close-ups inc great shot of LHD Estate version full of ski gear. | Stamped "Confidential" 1977 & Ford logo | |
| Number | Date | Ford Taunus (Escort) | Reel Markings | |
| CR317 | 1975/6 | Close-ups of L, GL & Ghia car parts, shots with doors open, dashboard etc. | Stamped
"Confidential", Ford logo TAUNUS, 1975/6, number 1 & small reel number |
|
| CR318 | 1975/6 | Close-ups of L, GL & Ghia car parts, shots with door open & 70's girl, plus good inside shots | Stamped
"Confidential", Ford logo TAUNUS, 1975/6, number 2 & small reel number |
|
| CR319 | 1975/6 | Close-ups of L, & Ghia car parts, several shots with 70's girl posing around car, plus full length car shots | Stamped
"Confidential", Ford logo TAUNUS, 1975/6, number 3 & small reel number |
|
| Number | Date | Ford Fiesta | Reel Markings | |
| CR326 | 1976 | Mix of close-ups & full length shots of LHD & RHD models in Scottish (?) countryside & studio. | Stamped
"Confidential",
Ford logo, FIESTA, 1975/6,
number 1. Reel number on rear.
All in pink ink. |
|
| CR327 | 1976 | Mix of close-ups & full length shots in Scottish (?) countryside & studio. Terrific underside shot of exhaust system. | Stamped
"Confidential",
Ford logo, FIESTA, 1975/6,
number 2. Reel number on rear.
All in blue ink. |
|
| CR328 | 1976 | Mix
of close-ups & full length shots of LHD & RHD
models in Scottish (?) countryside & studio. Nice low-level
shot of rear bumper (spoiler). |
Stamped "Confidential", Ford logo FIESTA, 1975/6, number 3. Reel number on rear. All in green ink. | |
| CR329 | 1976 | Mix of close-ups & full length shots of LHD & RHD models in Scottish (?) & possibly Germany countryside & studio. Nice low-level close-up of disc brake. | Stamped "Confidential", Ford logo FIESTA, 1975/6, number 4. Reel number on rear. All in orange ink. | |
| Im sure most
collectors know what its like - you have just
bought a new pile of reels and are keen to get them home
for a really good look through them. If, like me, you
quickly flick through them you can pretty easily split
them into two piles, common and maybe not so common. Then
you go through the uncommon pile to see exactly what you
have. I did this while back, with all my reference books
to hand as usual and was very surprised to find that I
had a reel that did not appear to be listed in any of the
books or other references I have. The item in question is
View-Master reel number 2330 Seefeld Im Winter,
Tirol, Osterreich.
This seems to be an official Belgium product, with the usual markings although the scene text is in German (or maybe Austrian). |
![]() |
| The pictures show an
Austrian winter ski resort, full of skiers and people
sunbathing or just having a good time. My two favourites
are the ski lift, which has really good depth into the
picture and the indoor swimming pool (close-up water
looks so good in View-Master scenes). Finding this reel just goes to show that we will probably NEVER get the definitive list of every View-Master product made and that makes collecting so much more fun, dont you think? Oh, and I am going to make an exception to my rule of only calling items uncommon - this is RARE! |
This is one of the very few View-Master reels I know without an actual number. Back in the 1950s, if you were lucky enough to have visited the View-Master factory you were given a card, a bit like a certificate, to remember your visit. Inside the card was a special reel showing 7 views of the factory, staff and some of its famous products. The views are as follows (Please note that not all scenes have been illustrated so you can have something to look forward to when you finally come across this reel!) |
1.
View-Master Pictures Are Filmed. |
2. Fairy Tales Come To Life.
6. View-Masters
Passports
To Travel. |
|
|
In the late 1950s, View-Master opened a plant in Australia to produce reels and Model E viewers without attracting any import regulations that were in force at the time. It remained operational until 1961 when Australia was no longer subject to import restrictions and could easily obtain items from the Belgium or US plants. During this time reels were stamped with the
Australian company name and Made in Australia
was moulded between the eyepieces of the viewers. I have
yet to see an Australian made viewer, but on the 5
different Australian reels I have seen, the pictures are
the same as the Belgium produced versions. Pretty
uncommon though. Also look out for reels 5030 Jenolan Caves I and 5031
Jenolan Caves II. These were unknown until relatively recently. |
![]() |
![]() |
|
| These ‘home made’ View Master’ reels rarely crop up, this is only the second one I have seen in almost 20 years. It features an attractive brunette in various stages of undress and although the images are a little overexposed (unlike the model) and slightly faded, they are still viewable. This example is starting to show the dreaded ‘bubbles’ but the film chips could easily be re-mounted in a new blank. | ||
|
|
If you want to make your own View Master 3D stereo pictures, then not only will you need a View- Master camera AND the correct View-Master cutter, but also one of these blanks to mount the film chips in. This is how the blanks were usually marketed, a pack of 6 blank reel mounts, plus their envelopes AND the outer packet. 6 of these packs of 6 were then packed in an 'outer' box, making 36 in total. Often the individual apertures on these blanks are a little tight, if so they can eased open slightly using the View Master film inserter (if you can’t get hold of one of these, then a set of feeler gauges will do the trick). I occasionally have a few of these for sale on eBay. |
| Viewers | Equipment | Games | Storage Systems |
Uncommon Packaging |
Reels | Contents |